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Sheila Pepe: “My Neighbor’s Garden”
Artist Sheila Pepe has created her first outdoor exhibition, My Neighbor’s Garden, which opened on June 26 in Madison Square Park. Through her crochet practice, Pepe brings color, unexpected materials, and optimism to the site. Pepe, a feminist and lesbian artist whose elaborate web-like structures summon and critique conventional women’s craft practice, uses crochet to transform contemporary sculpture.
Inspired by the community gardens that the artist experiences in her Bay Ridge, Brooklyn neighborhood, Pepe collaborated with the Conservancy’s horticulture team, who designed the beds and cultivated uncommon heirloom vegetables and flowering vines that will climb and engage with Pepe’s crochet, allowing a dynamic interaction between built materials and the natural world. From June through December, the exhibition will evolve as vining plants such as bitter melon, sour gherkin, long bean, and morning glory meld with Pepe’s work, fulfilling her vision and creating unique viewing opportunities across the seasons.
Stephanie Lucas, Director of Park Operations and Horticulture at Madison Square Park Conservancy, notes, “My Neighbor’s Garden is truly rooted in the park. Each vine, flower, fruit, and stitch reflects the whimsy of community effort and the joy of seasonal change.”
When you visit My Neighbor’s Garden, note the diverse plant life that adds vitalism to the project, as well as the additional plantings our horticulture team selected for the areas around the Farragut monument and Reflecting Pool, the Southern Fountain, and the Seward and Conkling monuments. For more detail on the plants included in My Neighbor’s Garden, download our horticulture map on this page.
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About the artistSheila Pepe was born in Morristown, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design, Boston and an MFA from the School of the Museum of Fine Arts, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement – Lynda Benglis, Eva Hesse, and Nancy Spero – as a crucible to launch her sculptural investigations.Read more about the artist
Pepe radicalized the grandmotherly constitution of crochet into a paradigm of feminist action. She studied blacksmithing at the Haystack Mountain School of Crafts, Deer Isle, Maine and received a fellowship to attend the Skowhegan School of Painting and Sculpture. Pepe has had numerous solo and group exhibitions including Des Moines Art Center; ICA Boston; Santa Barbara Contemporary Arts Forum; University Gallery at the University of Massachusetts, Amherst; Weatherspoon Art Museum, North Carolina; Wexner Center for the Arts, Columbus. She contributed to Liquid Sky (2007), which was on view at MoMA PS1. Research Station for the People (2014) was included in the 8th Shenzhen Sculpture Biennial, OCAT, Shenzhen, China. Sheila Pepe: Hot Mess Formalism (2017), the artist’s mid-career survey, was organized by Phoenix Art Museum and traveled to Everson Museum of Art, Syracuse; Bemis Center for Contemporary Arts, Omaha; and deCordova Sculpture Park and Museum, Lincoln. Tabernacle for Trying Times (2021), an exhibition with painter Carrie Moyer, was organized by Portland Museum of Art, Maine and traveled to the Museum of Arts and Design, New York. Pepe’s work is in private and public collections including Zimmerli Art Museum, Rutgers University; Rose Art Museum at Brandeis; Smith College Museum of Art; and Harvard University Art Museums.
She has had residencies including the Bunting Institute, Radcliffe College at Harvard University, and Civitetella Ranieri, Umbertide, Italy. Pepe is the former Assistant Chairperson of Fine Art at Pratt Institute. She will be Artist-in-Residence at Dartmouth College for the 2024 winter term.
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About the artistSheila Pepe was born in Morristown, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design, Boston and an MFA from the School of the Museum of Fine Arts, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement – Lynda Benglis, Eva Hesse, and Nancy Spero – as a crucible to launch her sculptural investigations.Read more about the artist
Pepe radicalized the grandmotherly constitution of crochet into a paradigm of feminist action. She studied blacksmithing at the Haystack Mountain School of Crafts, Deer Isle, Maine and received a fellowship to attend the Skowhegan School of Painting and Sculpture. Pepe has had numerous solo and group exhibitions including Des Moines Art Center; ICA Boston; Santa Barbara Contemporary Arts Forum; University Gallery at the University of Massachusetts, Amherst; Weatherspoon Art Museum, North Carolina; Wexner Center for the Arts, Columbus. She contributed to Liquid Sky (2007), which was on view at MoMA PS1. Research Station for the People (2014) was included in the 8th Shenzhen Sculpture Biennial, OCAT, Shenzhen, China. Sheila Pepe: Hot Mess Formalism (2017), the artist’s mid-career survey, was organized by Phoenix Art Museum and traveled to Everson Museum of Art, Syracuse; Bemis Center for Contemporary Arts, Omaha; and deCordova Sculpture Park and Museum, Lincoln. Tabernacle for Trying Times (2021), an exhibition with painter Carrie Moyer, was organized by Portland Museum of Art, Maine and traveled to the Museum of Arts and Design, New York. Pepe’s work is in private and public collections including Zimmerli Art Museum, Rutgers University; Rose Art Museum at Brandeis; Smith College Museum of Art; and Harvard University Art Museums.
She has had residencies including the Bunting Institute, Radcliffe College at Harvard University, and Civitetella Ranieri, Umbertide, Italy. Pepe is the former Assistant Chairperson of Fine Art at Pratt Institute. She will be Artist-in-Residence at Dartmouth College for the 2024 winter term.
Artist Sheila Pepe has created her first outdoor exhibition, My Neighbor’s Garden, which opened on June 26 in Madison Square Park. Through her crochet practice, Pepe brings color, unexpected materials, and optimism to the site. Pepe, a feminist and lesbian artist whose elaborate web-like structures summon and critique conventional women’s craft practice, uses crochet to transform contemporary sculpture.
Inspired by the community gardens that the artist experiences in her Bay Ridge, Brooklyn neighborhood, Pepe collaborated with the Conservancy’s horticulture team, who designed the beds and cultivated uncommon heirloom vegetables and flowering vines that will climb and engage with Pepe’s crochet, allowing a dynamic interaction between built materials and the natural world. From June through December, the exhibition will evolve as vining plants such as bitter melon, sour gherkin, long bean, and morning glory meld with Pepe’s work, fulfilling her vision and creating unique viewing opportunities across the seasons.
Stephanie Lucas, Director of Park Operations and Horticulture at Madison Square Park Conservancy, notes, “My Neighbor’s Garden is truly rooted in the park. Each vine, flower, fruit, and stitch reflects the whimsy of community effort and the joy of seasonal change.”
When you visit My Neighbor’s Garden, note the diverse plant life that adds vitalism to the project, as well as the additional plantings our horticulture team selected for the areas around the Farragut monument and Reflecting Pool, the Southern Fountain, and the Seward and Conkling monuments. For more detail on the plants included in My Neighbor’s Garden, download our horticulture map on this page.
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About the artistSheila Pepe was born in Morristown, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design, Boston and an MFA from the School of the Museum of Fine Arts, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement – Lynda Benglis, Eva Hesse, and Nancy Spero – as a crucible to launch her sculptural investigations.Read more about the artist
Pepe radicalized the grandmotherly constitution of crochet into a paradigm of feminist action. She studied blacksmithing at the Haystack Mountain School of Crafts, Deer Isle, Maine and received a fellowship to attend the Skowhegan School of Painting and Sculpture. Pepe has had numerous solo and group exhibitions including Des Moines Art Center; ICA Boston; Santa Barbara Contemporary Arts Forum; University Gallery at the University of Massachusetts, Amherst; Weatherspoon Art Museum, North Carolina; Wexner Center for the Arts, Columbus. She contributed to Liquid Sky (2007), which was on view at MoMA PS1. Research Station for the People (2014) was included in the 8th Shenzhen Sculpture Biennial, OCAT, Shenzhen, China. Sheila Pepe: Hot Mess Formalism (2017), the artist’s mid-career survey, was organized by Phoenix Art Museum and traveled to Everson Museum of Art, Syracuse; Bemis Center for Contemporary Arts, Omaha; and deCordova Sculpture Park and Museum, Lincoln. Tabernacle for Trying Times (2021), an exhibition with painter Carrie Moyer, was organized by Portland Museum of Art, Maine and traveled to the Museum of Arts and Design, New York. Pepe’s work is in private and public collections including Zimmerli Art Museum, Rutgers University; Rose Art Museum at Brandeis; Smith College Museum of Art; and Harvard University Art Museums.
She has had residencies including the Bunting Institute, Radcliffe College at Harvard University, and Civitetella Ranieri, Umbertide, Italy. Pepe is the former Assistant Chairperson of Fine Art at Pratt Institute. She will be Artist-in-Residence at Dartmouth College for the 2024 winter term.
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About the artistSheila Pepe was born in Morristown, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design, Boston and an MFA from the School of the Museum of Fine Arts, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement – Lynda Benglis, Eva Hesse, and Nancy Spero – as a crucible to launch her sculptural investigations.Read more about the artist
Pepe radicalized the grandmotherly constitution of crochet into a paradigm of feminist action. She studied blacksmithing at the Haystack Mountain School of Crafts, Deer Isle, Maine and received a fellowship to attend the Skowhegan School of Painting and Sculpture. Pepe has had numerous solo and group exhibitions including Des Moines Art Center; ICA Boston; Santa Barbara Contemporary Arts Forum; University Gallery at the University of Massachusetts, Amherst; Weatherspoon Art Museum, North Carolina; Wexner Center for the Arts, Columbus. She contributed to Liquid Sky (2007), which was on view at MoMA PS1. Research Station for the People (2014) was included in the 8th Shenzhen Sculpture Biennial, OCAT, Shenzhen, China. Sheila Pepe: Hot Mess Formalism (2017), the artist’s mid-career survey, was organized by Phoenix Art Museum and traveled to Everson Museum of Art, Syracuse; Bemis Center for Contemporary Arts, Omaha; and deCordova Sculpture Park and Museum, Lincoln. Tabernacle for Trying Times (2021), an exhibition with painter Carrie Moyer, was organized by Portland Museum of Art, Maine and traveled to the Museum of Arts and Design, New York. Pepe’s work is in private and public collections including Zimmerli Art Museum, Rutgers University; Rose Art Museum at Brandeis; Smith College Museum of Art; and Harvard University Art Museums.
She has had residencies including the Bunting Institute, Radcliffe College at Harvard University, and Civitetella Ranieri, Umbertide, Italy. Pepe is the former Assistant Chairperson of Fine Art at Pratt Institute. She will be Artist-in-Residence at Dartmouth College for the 2024 winter term.
Exhibition Support
Horticulture support for My Neighbor’s Garden is provided by:
- Credit Suisse Americas Foundation
- Greenacre Foundation
- Madison Green Condominium